The screenshots on this post are from my notes that I've made on the last grading class I had, and from watching Panopto lectures on Divinci. With our film being intentionally simplistic in setting (in attempting to produce a type of white/blank/void headspace), we need to ensure the colour grade aids us in getting across the tone that we desire.
A few of the bits in this include my annotations of graphs and such, they're not completely accurate but doing them helped me understand how they work.
NOTE SCREENSHOTS:
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